Well, you get a variable onslaught of rhythmic audio that leads a track with power and dynamics. I know this isn’t a necessarily widely used thing, but in some cases reverb on toms are just the trick. Strangely enough, no Sony Reverb shows up on the toms. You get a Close, Mono, Overhead, and 2 Rooms. The main mics used on these are Sennheiser 421’s. With the toms you get a gorgeous set of DW maple toms coming in sizes 10, 12, 14, 16, 18″. Each give you a choice of 2 Rooms, Top, Top B (which is an AKG 451 taped to the 57), Bottom, Overhead, and the Sony Reverb. They really pulled out the stops on the snares giving you a DW Maple, Ludwig Black Beauty, Ludwig Chrome Plated Steel, Pearl Reference Brass, Pearl Reference Maple, Pearl Steel Sensitone, Tama Bell Brass, and a custom made “Dong” snare. Add in Ocean Way’s Neve board with 1081 Pres and you have a deadly combo for getting the punch to bring a kick out front in the mix. The mics he used to capture this are an EV RE-20, a Fet47, and an NS10 speaker for the subkick feed. You get the kick in, kick out, subkick, Sony reverb, 2 rooms, and overhead. The 11 variations of kicks all come from either a DW 22 or 24″ kick with either hard beater or soft beater, snares on or off, or a dry version of each.
Download steven slate trigger license#
Simply download the pack and license file, drag them into your SSD Instruments folder, go into settings in trigger and browse the license file, and you’re good to go. This review is using the package for Trigger. With each variation you get multiple articulations and mic placements all the way down to a print of Chris Lord-Alge’s famous Sony reverb unit. The results of all of this work give you 11 variations of kick, 12 variations of snares, and 5 toms.
He incorporated his own personal preference of mics as well as mic placements to really dial in his signature drum sound. Chris wanted to do this right, so they both headed over to Ocean Studios to their world renown drum rooms to personally track these samples together. This isn’t just recycled Slate samples with CLA EQ and Compression. So this pair joins forces and we get the Slate CLA Expansion pack. Legend has it that Steven Slate was throwing one of his would famous parties at one of these conventions and met up with Chris, and after a very long (and probably one of the most informative) conversations about drums, this project came about. When Joe Barresi uses a hardware compressor you made along side his multimillion dollar spread, you know you’re doing right. Steven Slate is hitting home runs in just about every digital aspect of audio and is even making huge waves in the analog world as well. So now lets take one of the greats in mixing and combine it with the man who is, undoubtedly, the king of drum libraries and drum related software. Enough can’t be said about this guy in my opinion. He is a mixing legend who is very well known for his in your face drum sound and BIG mixes. If you’ve turned on a radio in the past 10 years, you’ve heard his signature sound on the likes of Nickelback, Green Day, and countless others. Even if you don’t think you do recognize the name, in reality you know the man by his work.
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If you’re reading this site or any site about recording, odds are you know exactly what the letters “CLA” stand for.
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